Sunday 30 December 2012

Dawn Approaches.

The year is about to end and I've found a very fitting way to wave goodbye to it; drink in hand, merriment filling the house and looking towards the near year with drunk goggles (no doubt with a few philosophical questions too). Next year heralds a lot more for me then just flipping over my calendar; Once my novella has been drafted the xth time I'll be releasing it on kindle. I'll be thrusting my ECP ideas into action and trying to manifest some kind of coherent plan that will push me past Uni and into the working world.

Uh-oh. That sounds enough to make me want to have a drink.

I've got a lot of paths ahead but each seem to have their own vices. Teacher, writer, traveller... There's probably a few more roads that I will be considering but each one is as difficult to choose as the next; each shrouded in an enigma. One question that has been on my mind for some time now though is whether these paths will end up unified: Can I travel down one path and end up straying onto another, or is the road I choose a finality that will either have positive or profane consequences? I've got a big decision to make and its not one I can afford to choose lightly.

Some people have their lives mapped out like constellations; tiny white dots to our eyes that are interlinked and spread across a blackness to give them some kind of hope for the future. They thank them for their guidance and chant a mantra. I'm the one still stuck in a hall of mirrors struggling to stare long enough into the jaded glass and discover who their reflection is.

And whilst I type all this out, still trying to piece together what everything could mean the sun is rising and I'm running out of time. The pressure is mounting, the moments are fleeting... Once the last grain falls, I hope I'm still not gazing into the mirror.


Sunday 23 December 2012

3

So yeah, musical moments always stand out for me. I rarely get as excited about anything else (even books, I'll admit). Music has that spark that induces euphoria and imbues me with this unique feeling that is almost indescribable. It just... wows me. I know its laconic, but fuck it; I love music and now I'm going to tell you all about three of my favourite tracks this year.

Why three?

Because I can.

1. Lana Del Rey - Blue Velvet



After releasing Born To Die I was really hoping that Lana had more up her sleeve. She released an album of pretty solid material but somewhat... diluted. I guess her melancholic and dramatic style had been pushed to the boundaries. If there was anything I was wondering it was 'What next?'. The answer was Paradise - the follow up EP, which I've had on repeat since its release. This release doesn't sound like Video Games peetered out to 15 tracks or so; it actually really sums up her style. The strings, the voice, the pouty moments. Even better was Blue Velvet, a cover originally recorded by The Clovers and inspired by David Lynch's 80's film of the same name. If there was any song she was going to cover, I never expected this. Its a homage to her tastes but also showcases her dazzling range. She can actually sing; she has a vibratto, she has this way of saying things in such a world-weary style that it doesn't feel nihilistic or stupid; it just sounds like one woman lamenting on beauty.

2. Crystal Castles - Insulin



So yeah, this track gets sort of... violent? Crystal Castles are one of my favourite bands because they've evolved with each record. With III though they scrapped all the computers and went completely analogue. Recording everything in one take because "the first take is the rawest expression of an idea", they managed to spew a frightening sonic delivery that triumphs, for once, due to Alice's transgressive and political lyrics. In Insulin its the chorus of 'Bruise my embryo / lay them down lay them down in rows' that really gets me. Alice's vocals, hidden behind the manic backing track, sound like a girlish whimper whilst bombs are plummeting down from the sky like rain surrounded by screaming and explosions. Fucking amazing.

3. TRUST - Candy Walls



The first guy and last guyy on the list is one of my favourite music artists who also happens to be a fucking gorgeous bloke. Robert Alfons formed TRUST with Maya Postepski (Austra) and released their debut album TRST on Arts & Crafts this year. I really understand what they said by "Trust is not just a side project" (and I'm thankful for that) because whilst Austra use those icy synths under Stelmanis' angelic opera vocals, TRUST has this grimy feel. That club sleaze that isn't tacky but tangible, that you want to be part of and don't feel disgusted by. Also, Alfons' vocal delivery with THAT baritone is just orgasmic. PREPARE YOUR BODIES.

Saturday 22 December 2012

The Sunday Challenge

So following on from my post yesterday about resolutions, I've really been thinking about plans. Not necessarily for the future, but plans for the day. If there's one thing I hate doing its planning things because I'm extremely impulsive and I end up flit around like an erratic moth; never content with just staying in the same place.

But yes, anyway, plans. Or, at least 'the plan', which I'm initiating tomorrow (ugh, later today), will be to actually get off my arse and do things. Mainly things that I said I would do like work on my novella and the like. So I'm actually going to document my day and see how well I can carry out these five things:


  • Read the entirety of Coraline by Neil Gaiman (FYI, I'm 32/185 pages through)
  • Make a list of all my reading for next semester (INCLUDING links to where I can buy the books)
  • Start a few fiction pieces (at least two) from ideas I've written down.
  • Watch a movie/listen to an album (in its entirety) that I've been putting off
  • Drink my way through this list.
  • Write another blog post. 
I've been meaning to do something like this for a while but frankly, unless I vocalise it for myself, I never seem to get round to doing things. As an extrovert I have to think out loud and manifest my thoughts in a physical way; moving my hands in exaggerated ways is one of them.

So now, as I'm looking through this list, I'm wondering whether its actually going to be a challenge. Will I be able to jump out of bed exploding with energy at the thought of completing something? 

Most likely I'll be groggy and tired. But what the hell, here goes!

Friday 21 December 2012

Resolutions.

They're defunct but we still love them. Later, we abhor the decision of ever writing them in the first place. Yes, its Resolutions; a ritual we mentally go through at the end of each year to try in an attempt to rectify our poor decisions. It doesn't always work too well, does it?

I was very tempted to experiment and write five resolutions I'd make, but fuck that. No. I'm smart enough to know that I won't be able to keep them.

I guess as human beings we want to prove to people that we are able to overcome our flaws and mistakes and that we are perfect beings? Correct. However, its impossible to completely overcome our flaws or stop feeling anxious about things. Its just silly.

John Sublime said "Every diamond has its flaw." (I'm pretty sure its New X-Men #117. Maybe. Or 118) and do you know what? I agree. We all try and fill the cracks and iron the creases but it doesn't work. There'll always be one anxiety we'll hold on to and never let it detach from us. And if we keep swimming in them, we'll eventually drown.

I remember when I was younger making all these 'I'll do my homework more often' or 'I'll treat Mum nicer.' and I think unless you truly mean it, you'll never actually achieve it. I wrote fleeting thoughts down and thought if I vocalised them that the changes would be instantaneous and I'd be reaping all this mental gratification from thinking of them. Actually, here is a list from my 2009 one (intended for '10):


o Write a song for Kitty/Kat.
o Shout from the rooftops something about myself.
o Be less petty.
o Accept unfortunate circumstances.
o Stand up for myself and other people more.
o Try and smile every day this year at something.
o Keep with FUEL and do whatever I can~

This one in particular I understood. And funnily enough, I did actually fufill most of them (the rooftops one was dumb and I never did it). However, why did I need to use the end of the year as an excuse to write down something fucking hints? Why didn't I just learn whilst I lived? If I couldn't think of any reasons why I lived my  life 'wrong' then there is no need to start writing a list in the first place. I mean, if you cut yourself open whilst cooking you wouldn't say 'Oh I'll put a bandage on it next year' (unless it is perfectly timed at 23:59:40 on New Years Eve, in which case, FUCK YOU), you would deal with it immediately. I think as a society we need to stop being dependent on things like this; we just need to take them as they come.

This year, for example? I said to myself I needed to do more work for my course. How did I do? Well, I've got two of my highest scoring grades since I started, managed to write 20,000 words of my novella, dealt with my major anxieties with my future and managed to find ways to deal with stress. Yes guys; this all came from me just thinking 'maybe I should do better'. I mean, if I had waited till next year, what would have been the point?

So people - yay or nay to new years resolutions?

Monday 17 December 2012

F O C U S O N : Lana Del Rey

"Oh, my God, I feel it in the air /
Telephone wires above all sizzling like your stare /
Honey I'm on fire I feel it everywhere /
Nothing scares me anymore." - Summertime Sadness

What can I say about Lana Del Rey (ooh, a rhyme!) that hasn't already been said by the papers and press? Well the best way I can summarise her is that hazy nostalgia when you remember someone, maybe a lover, maybe a friend, who stirs something up inside you. The feeling is laced with so many bitter-sweet feelings that She stunned everyone worldwide with her single "Video Games" with opinion divided on her  voice and orchestral sound, some admiring her innovation and others covering their bleeding ears with bandages. I, for one, absolutely adore her. She sports a very morose, sophisticated image in a similar vein to Florence Welch but also exudes a knowing sorrow with her music without being nihilistic; lamenting on the past without becoming vapid like other pop icons such as Rihanna or Nicki Minaj. She's shown able writing ability too, establishing her 'strings and sadness' sound as her own trademark image.


Yes, thats right, I've been overwhelmingly positive about her. But I guess, like anyone I'm fascinated with I always say 'they can't be all they seem, can they?' and shortly after I listened to her I made the regrettable decision to watch her SNL performance (watch it below... or not) where she sounds like she has tried deliberately to sound tone deaf. After this I wondered whether she was actually talented, vocally. Then I watched her perform a rendition of 'Ride' and my conviction returned.


If there's one thing I've said that I just want to repeat over and over its her sound. Its so recognisable, so distinct and its her trademark. I guess everyone looks for their trademark; businesses, artists, anyone. We all want to have a distinguishable talent or feat that is imbued by our individuality. Whether Lana has tried hard or not, she's managed to master it. I'm pretty envious as I've been developing my style for ages and still have yet to create some kind of cohesion. Even though sometimes her songs can sound... I don't know, repetitive? No, I guess sometimes... diluted? Like she's used the same formula too much.

But at any case, wowowowowwowow. I love her a lot. And now I'm going to end this post rather laconically.


Sunday 16 December 2012

In Retrospect

So lately, every time I've been meaning to write a blog I've felt hesitant or uneasy. I don't know why and I don't know how I've let these feelings get in the way so I've decided to break the cycle and type one up now. I'm currently sat up in bed surrounded by a sea of mess, remembering that I'm going back to Northern Ireland in T-36 hours.

I haven't packed.
I haven't got my train ticket.
I've still got baggage here I can't check in.

Going over it all its strange to imagine I've been here for five months. I can vividly remember leaving home with feelings of anxiety with my mood still low as, my sense of purpose ambiguous and the knowledge that my summer trysts were just that when I recalled them. But one question loomed over me as I raced across the irish fields; What did I want to achieve this year? I returned here in July all ready to get back on the job-hunting, raring to cut my teeth with some writing. Did I achieve this?

Yes and No.

There'll always be some kind of ambivalence with my personality, my hopes for the future and some kind of existential conflict, but progress has been made. I've finished a draft opening of my novella 'The Seventh Veil', which I'm hoping to release on kindle in early spring. Its been on a journey, like me, and its had some fuck-ups but I'm at a point where I'm really happy with it. I've also been writing more poetry, more solid work. I feel like I'm at the point where I've nearly defined my own style, both with fiction and poetry. Its a strange feeling too, to have that. Its even been more often then not that when I've been approached and asked what I do its been 'I'm a writer'. I've sad it with brevity and conviction and I've been taken aback myself when its been my instinctual response.

And with this, I've noticed that my moods have began to improve. I thought it'd take more difficult procedures and I never knew if it would go away. Maybe it hasn't. But for now I've reached an equilibrium that I'm happy with. By pouring myself into writing I've been exorcising the inner demons that have been knocking at my door for the past 18 months. I've felt less like a minefield. I was going to say I feel more like a flourishing garden but that's frankly too camp a reference to throw in. Oh, what the heck!

If there's one thing that is still pestering me though, its my nihilism. I still feel a sense of insignificance whenever I make a decision. In the big, wide world we're but an ant. And in the context of all that exists we are just the nothingness of nothing. I still wonder if I have a purpose in life and whether it actually exists at all; am I here for a reason? Is life and my fate pre-ordained by some deity with a wicked lust for destruction? Or maybe its just a flying spaghetti monster that lacks any rational thought. Maybe my life is just for me to decide. All I know is that if I were a path I'd have no signs to show where I'm going to end. It'd just a miasma of mist and rain. Obscurity. But I guess, its a good thing.

So whilst I've babbled on here, I thought I'd use this just as cathartic writing. For myself to look back and realise there is improvement and just to dent the net a tiny bit. In retrospect, it sounded like a good idea at the time.

PS - If there's one thing I've realised though, is that even the most unexpected things can make you happy. I've learned that very recently and its put a genuine smile on my face. It may end soon, it may end in years to come, but its happened.

Friday 12 October 2012

Poetry (Week 3)

So, following from my procrastination, I've decided to post another piece of poetry that we had to work on for this week. Last week we were asked to write a prose piece on our favourite place and re-work it into poetry. My prose piece was so jumbled, fractured, rushed-- I decided to channel this into the piece itself. It may seem nonsensical on first read, so I'd advise you to read it several times.

The piece itself is based on one of my favourite places to go walking when I return home. When my head feels weird and I don't feel myself I always bring myself there. I feel like I've unloaded some of the crap in my head that builds up. I know when I need to go there and I know when I need to leave.

So here it is. Feel free to critique or comment below~

Butterflies In Bloom (Based on Castle Coole in Enniskillen, Northern Ireland)


Lured by the promise of respite
my feet brought me to a black gate:

Ten foot tall and ten tons
two minutes to seven and the sun
-set the scene with amber umbras
twisting like the path that pulls me
down through the winding
roads that led me here are
barricaded by dense green
guards stand tall like
giant towers of babel
-ing birds flit, fly
flourish and dip their beaks in the stream
-s of daffodils vainly stretching their yellow heads brighter then bulbs, narcisstic little
butterflies breezing by with sparks of
blue mass of waves calling out with silent
barks of a golden retriever let loose on the
swans, like white paper boats in the distance, buoyant blurs of
buzzing blares at my ear, one, two, three become a
menacing miasma creeping crawling calling me in--

Lured by the promise of respite
my feet brought me back to the black gate.

Tuesday 2 October 2012

Sea Sick

I'm in the middle of writing yet another Influences blog but I thought fuck it, I might as well share something I've been working on.

For our second week of Poetry we had to rewrite Sea Fever by John Masefield. How this poem came to be a classic I have absolutely no clue. Fair dues, its got a good use of repetition (and a good rhyme scheme) but seriously?! I felt sea-sick just reading its three stanzas. Thankfully I'm able to put my disillusionment to good use as I managed to rewrite it in my own voice. I looked over the Imagist Manifesto and found that I could make this a bit more... interesting. Instead of feeling nauseous I'm hoping this is a respite from some of the poetry I'll have to endure over the coming months.

So here is my draft rewrite of Sea Fever by John Masefield:



I’ve gotta go back
to the blue,
nick a ship
steer the bastard through
that peaceful mass
wind whistling fast
feel the tongue of the fog
greet me once again.

Replying to an unanswered question
I’ve gotta return to the blue,
it’s a bloody addiction, I’ve run out of fags,
its my last time I swear, its calling my name,
the breeze and the white,
the daze,
the seagulls flit shitting all over the waves
washing, wiping my face:

a blistering respite.
Okay, I promise, I’ll shut up after this,
but reflected in the sea,
is me, bohemian,
bearded, brute,
long hair scruffy jesus style,
chucking bread at the gulls
high-fiving the whales,

‘cause at the end of the night
sleep seeps through,
woozy dreams wander--

Complete.



As always, any feedback would be appreciated~

Sunday 16 September 2012

INFLUENCES PT.2 - Björk

"darling stop confusing me
with your wishful thinking
hopeful embraces
don't you understand?
i have to go through this
i belong to here where
no-one cares and no-one loves
no light no air to live in
a place called hate
the city of fear..." - 
Björk | Play Dead





Björk is by far one of the most passionate individuals in the music scene. Actually, fuck that, the world. She's established herself from an isolated country, experimented with her music and been one step ahead of everyone else before they could predict what would become convention. She's always experimenting and never relenting to pressure from labels or individuas, designed and worked with other artists to create 'new' musical instruments and make something completely new, fresh and entrancing with each album. Fucking hell, she's an absolute music goddess.

I stumbled across her music around... 2007? I was listening to the radio and her song 'Earth Intruders' came on. I had an extremely staunch music taste and focused on music, especially metal, that focused on shouting your message rather then whispering it. I remember hearing this song and at first, ignoring it completely. Two days later, the song was still stuck in my fucking head. An internet search later and I was completely enthralled. A week later I bought her album 'Post' and to my surprise, I was in love. The album was a mixture of all these different sounds I'd never explored before. Trip-Hop, Pop, Classical instrumentation were all blended into create something astonishing. I looked back at my metal and wondered why I had ever decided just to stick to one genre. After all, didn't Oscar Wilde say "to define, is to limit." and with this I realised the stupidity of devoting time and effort to being so staunch. It made me think of how stale I'd become as a person by being so self-limiting. By disregarding anything new I just became stagnant, repressed and prevented my creativity from evolving. So yeah, this goddess had a real positive impact on my development towards my late teens.

One thing that's impossible not to recognise when you listen to her music is her distinctive voice. Its so malleable, so well trained but also aggressive and free. She can do vocal acrobatics from a whisper to a growl back to an operatic scream. In her track Its Oh So Quiet, she just plays with her vocals like a toy. The lyrics could be completely in tongues ( in some of her tracks she will growl and shout nonsensical words) and you'd be able to understand exactly how she explores love - quiet one moment then explosive and volatile the next. She's used her biggest asset as an artist to its full extent on pretty much all of her records and expresses her point so fluently its difficult not to fall in love with her.



As well as this her collaborations are pretty extensive. She's worked with The Dirty Projecters, Michel Gondry (for her music videos), Kelis, The poet Sjon, Mike Patton and even App Designers (for her latest album Biophilia). Above I've posted my favourite video from her (Bachelorette) which is one of her best collaborations with Michel Gondry. Its just. Wow. I'll let you draw your own conclusions as to how amazingly fantastically brilliantly beautiful and arty it is.

"Everything is so designed and airbrushed and Botoxed, it makes us think, 'Oh, everybody's perfect except me. Everything's smooth except me.' But nothing is smooth."

So I guess, how has she had an effect on me as a writer? I thought about this a lot whilst trying to type this blog post. It wasn't immediately obvious because I realised how I've integrated her influence into my work. She's a multi-faceted music artist who isn't immediately defined by just being a 'pop star', but she managed to gain success outside of a very small, overlooked country and managed to explore herself, evolving each time with her sound, image and views. Each album is almost a reflection on 'how have I changed?'. Its personal and thats exactly what anything - writing, painting, music or whatever, its all about regurgitating your emotions. It may not manifest itself perfectly out of your head because its not supposed to be. Its about reaching an equilibrium, about exorcising your feelings and exercising your creative muscle. To challenge yourself and introduce yourself and explore the world, explore nature and manmade things, explore intoxication and sobriety, offense and defense... Because if you stay in your room your entire life and keep yourself in a shell your just as outdated and unnecessary as everyone you deem yourself creatively superior to. Thats what I get from her. A challenge is good because it has change (see what I did there guys?) & anyone with a creative soul should be willing to explore.

And I leave you with this video of her taking apart her TV:


Friday 31 August 2012

streamed-consciousness

That one song. That one fucking song.

Plug in, zone out and feel. Lament, mostly, but its something. The clocks ticked, the moments became transient and now they are well and truly dead. Everything before has changed to survive through the present and into the future, but we remember what it used to resemble. How the dust and scratches have primed it for its new purpose, its new stance. Even inanimate they explode under my touch with images and sound and become life. They stand their ground, stuck, still and let me see through them, let me see the past and relive it all once more. Its a gravestone, its got an epitaph that manifests through me and only I can perceive its potent memories, but with a faded luster. A strange filter that adds noise and scratches act like bandages over the tears. And when they're too far gone, too decrepit or forgotten for that second they'll collapse into the sea of unconsciousness, where they'll dissolve like foam and dissipate into fragments of nothingness.

(The song that inspired this passage was The Horrors - Still Life)


less doing, more nothing.

So I'm breaking my vow of trying to write about my influences this week to write something a little more relevant at the moment. I've always found that whenever I announce 'I'll do x/y/x' that I'm less likely to achieve what I set out to do, a thought that has been consuming me over summer.

When I started University I made some great friends early on, some of whom I'm living with this year. We went out dressed as cartoon characters, decked our livers with shots of absinthe, had quiet movie nights where we all snuggled up or cigarette stained conversations out the front. In retrospect I had a cracking freshers and I don't regret any of it the last minute nights out or in. But looking back is important to look forward and I've managed to discover one consistency:

Procrastination.

It gets us all, its been getting me all week, and I've found its possibly one of the worst problems I had, and still have, as a student. Its that nudge at the back of my head that says 'Hey, wouldn't that assignment go well with a vodka shot?' or 'Oh go look at Tumblr, come on, you'll be five minutes tops!' and eventually ends into a gravitation towards decadence. The work piles up, the panicking starts to give way to frustration and the end point seems so far, so transient it doesn't seem worth it. So again, the only natural thing isn't to do anything about it, but to do the exact opposite

This didn't help that my moods were already reaching incredible lows during my first semester which caused me to drink excessively, become impulsive with money and end up finding getting out of bed and going to lectures an impossibility. And it was then that it began to seep into my own life, passionately corroding any of my remaining willpower. The worst thing is, its happening right now: even trying to write this bloody blog post is requiring more of my attention then I'd like to think. 

As to how it come around? I'm not entirely sure.The funny thing was I'd never been this bad before; although I naturally plan then write last minute in college I'd been punctual, hard-working & rarely neglected my projects. Distinctions across the board gave me the equivalent of AAA and I was so chuffed because I earned it. I worked my fucking arse off to get to University and even though I got a 2:1 this year, I look back at all the half-arsed paragraphs of waffle and the nondescript words and obscure references I popped in when I was drunk and just cringe.

Really Josh? Really?

So if theres e thing I'm doing this year to prepare myself? Keep my goals to myself in my (yet-to-be purchased Paperchase) notebook. Keeping them under lock-and-key so that everytime I feel down, low or wondering why the hell I should be reading an obscure poem by some obscure poet, reminding myself of what I can be, what I was and how easy it is to forge my own future with my own hands.

Monday 27 August 2012

INFLUENCES PT 1 - Junji Ito

I've been meaning to do this for a while, actually. I put things off a lot (this blog is literally bursting at the seams with nothing but procrastination) but at 3AM, even though its technically Tuesday, its still Monday to me and I'll go with that. I was tired writing this so it may also seem a bit jumbled or weird or shit, either way, I'll be posting another tomorrow (Tuesday... or Wednesday, it depends) on another influence of mine.

So anyways, I first discovered Junji Ito through Tumblr - I think I stumbled across a few panels from his manga Uzumaki and became so fascinated with what I was seeing. A horrific series of portent images, each significantly more disgusting then the last. In fact, I'm very sure it was this one here:


Nice, isn't it? 

So I looked him up on google images. A plethora of similar images cropped up. I shut the tab down and began hunting online for the manga that this originated from. And what I managed to find was something that was truly, great, and also terrifying.

Uzumaki (meaning spiral in Japanese) tells the story of Kirie Goshima, a high school student who begins to notice the town become obsessed with spirals after the death of her boyfriends father. Cue a series of strange happenings, weird deaths and a descent into obsession that brings the 3 volume manga to a rather terrifying conclusion. Not because there is a super gory panel filled with blood and guts, but because of the message. The spiral is entrancing, circular, but also infinite. Its impossible to take your eyes away and once you start, you slowly lose grip. I remember a quote by Nietzsche which says "Don't fight with monsters lest ye become a monster... Remember that when you gaze into the abyss, the abyss also gazes into you". The overriding theme of obsession, and also the finality of fate and the unending chaos that you are doomed to repeat becomes even more unsettling then the content of the images, but the synthesis of words and pictures is just fantastic. Ito knows how to write and he can manifest his characters really well on paper (especially since most manga is black/white too). I don't want to reveal anything other then that though, so I won't go into anymore detail. Just read and be astonished.




Perhaps what I was so surprised, and impressed by was how raw, less camp and animated the characters were compared to the conventional manga style with the huge eyes, eccentric personalities and exaggerated plots. I find most shounen-ai and romantic manga to be mostly pretty crap (and they also attract some of the most obnoxious, strange people I have encountered, period.), but finding this really revived my interest in Manga and graphic novels, something that had waned since I started college.

So not only did Ito create a pretty elaborate piece of work with Uzumaki, but he also collected all the average and mundane things we encounter and turned them into figures of malevolent evil with the sole purpose of terrorising and destroying mankind with madness. And for any writer, I've discovered, being able to make your audience shaken after they read your work is a very powerful feeling.




Recommendations/Further Reading:

  • Gyo (sharks that can walk on land)
  • Uzumaki (evil spirals)
  • Tomie (dangerous and seductive woman who terrorises mankind with her beauty)

Tuesday 21 August 2012

Sonnets

I created a triptych of sonnets for my Poetry class, all tied by love but with a much darker theme. The focus of them is to present the melancholic, frustrating and often world weary side instead of comparing people to plants and flowers. I think experimenting with theme is interesting, especially with the sonnet that has become synonymous with a fixed person as a subject and instead playing around with them first.

Maybe eventually I'll write a happy sonnet?


I) I Cannot Sleep (I Will Not Dream For Me)

I cannot sleep, I will not dream for me
Nightmares come and go; existence dithers
betwixt the chaos lurking in my dreams,
Our bed is ice; I’m the one who shivers.

The covers cold as if a winter’s night,
as if by spellwork knifed me of my love,
bereft of you, till scattered morning light
has fractured you and I to push and shove.

the empty days are sodden and betrayed
by you, by I, by silent moans of him
but night will come as soon as dawn will fade
the mo(u/rn)ing comes, I’m frac t u red from with(in).

I cannot sleep, I will not dream for you,
the only rest, I seek in catacombs.


II) Supernova


I love to love but fall upon my face,
A thing with lips, a thing they dread to kiss.
I smile right back, the wrong one sits in space
With me; I’d rather be a star and miss
The breach; to burn up in to nothingness.
Its pretty though; that from so far away
The beauty of its death becomes addressed,
From me, not him, it’s not what he foresees:
A night of passion to an awkward morn,
A smoke to laugh at opportunists fall,
His once full eyes are ash and laced with scorn,
My mind is dead; I’m gazing at the walls.
The bed,
the door,
the walk, 
the shame, 
the cry,
I’d rather walk away, I’d rather die.



III) ~A Moth To His Flame~


A heart that beats and thumps slowly; enthralled
by moths with wings of dark eyes to depress,
and surely with a torch he will debauch
and steal a monsters grin so he’ll impress.

the flames and smoke that lick his face surround
the moth on both sides so it cannot fly,
and when its burned to cinders he will frown
a nihilistic glare to scorch the sky.

He brings himself outside to breathe the air,
he coughs for its impurities are all.
But with his heart shaped glasses he’ll prepare
a portrait of damnation they’ll adore.

And when they’re tired and fed up with his smile
they’ll sink away in shadows from the child.


Sunday 19 August 2012

Hunger

At 3AM I rose from bed and tried to tip-toe across the croaky stairs. I gathered some snacks (Roses chocolate that my friend Amy bought) and crept back up. It took me a minute to fully realise why I got up in the first place and then I think 'oh boy...' and my hands begin to act on instinct.

Have you ever read a book that has felt like your nicotine, that warm feeling that returns, that place it brings you to whether bright, dark, brilliant or malevolent? When you turn the pages and forget the numbers and the text is rolling off the page into your imagination, manifesting itself into the shapes its describing? I ask because it feels like everytime this happens its been a long time for this epic moment to be rediscovered. Once you finish a book, trilogy, series - whatever, for me it feels like this feeling is never going to be reproduced. Well, in essence thats pretty true since each story leaves its own distinct mark, I guess. But that pageturner, the book you want to finish so bad but never want to escape from, that feeling of a writer using you as a harp and plucking your brain like a professional. Its fucking amazing, isn't it? Well, it seems I've finally found it again.

The Hunger Games is something my friends avidly tried to introduce me to. I'd heard it mentioned a few times before but I usually like for me to go to the book. I feel some kind of intrusion when a book is slammed in my face and I'm forced to read it. But after the berating died down, I went to the University library and picked up the first book along with Dear Fatty by Dawn French & The Importance of Being Earnest & Other Plays by Oscar Wilde (for Salome). 

I dumped the books in a pile next to my bed and left them there for most of the day. I usually find it nigh impossible to read during the day due to being easily distracted by any person in my vicinity. So before bed I pick it up, read a few pages and drift off to sleep. The next day, I think 'I'll read a chapter'. And by the time I've uttered those words its all kicked off and I noticed I've read around 100 pages in one sitting.

I've managed this feat before as well; The Otori Trilogy by Lian Hearn (seriously guys, absolutely fantastic) & the critically acclaimed Harry Potter series by Rowling have lured me in and left me dazed and confused when I snapped back to reality.

But one feat tonight was when I gasped loudly. I won't say why or when, I don't want to spoil it, but I held my hand over my mouth and read, and read, and read. I shouted out 'No! No!', (my eyes twitching frantically) and that 'Yes! Fuck you!' part happened too (well, in my head. The neighbours would NOT appreciate that at this hour.).

That feeling just got me up at 3:00AM after I wanted to fall asleep. Its a powerful feeling - knowing that people can be absorbed in your tales. That you can spin something so real and powerful is incredible, but also incredibly frightening. I forgot how much I loved that feeling. And for now, I've got it for that bit longer.

I'm hoping it lasts past tomorrow. I guess that's optimistic.

a wake / a sleep

In the morning
                                                the chimes tremble,
curtains yawn.
                                                You lay dead
arms cold
                                                eyes frantic under your lids.
I trace your pupil
                                                across your dark brow:
rough cheeks, birthmark
                                                and a lip that is still
dulled.
                                                I have stirred.
I am jealous
                                                of the dreams ensnaring you
from me
                                                dividing / us = apart
and I wait.
                                                You surface
like a diver
                                                from icy water
slipping your hands, 
                                                slapping your arms 
on cracks of ice.
                                                You breathe heavily
and I sense it again
                                                rhythms, patterns
a/sleep                 
                                                a/wake 
with me,
                                                forever, 
with me.

New Pieces

I've been a terrible, terrible blogger. I've pretty much flirted with blogspot but never actually managed to post anything of any creative value in the past while. Since I've moved over to England (a month now!) I've been searching for jobs, drinking, writing my short story/novella, been reunited with some of my old housemates and peers (oh, and drinking). Its been great, but the intention of my blog was to showcase up new and upcoming pieces that I wanted to share with everyone and currently, that has been pretty much unrealised. So I guess this blog is the start!

I've been working on experimental writing pieces since I started university through poetry and prose and as a writer, I thought I'd share these first. When we start out we emulate the things that influence us or writers that we are envious of, which is what I originally did, but thought I'd experiment with the layout of words and how they affect the way we perceive a piece.

So today I'll post my first piece, which is called 'Bad Dreams':




    b a d       c
           r        r
           e       y
           a r e  p
      a l m o s t (o o)   t
           s        i           h
                   ’c a (u s e)       
                                y o u r           s
                                           s         l
                                           m - i l e
                                         t o        e
                                           t o      p
                                           h
                                       m e
                                           r 


If you have any feedback, feel free to comment! :)

Thursday 21 June 2012

Diminished.

I've always considered myself an extrovert. Always. Despite the fact I have tendencies to lean almost equally to both introversion/extroversion I always felt that I was happier around people and became easily bored with my own company. And its not just me who agrees - people have often said I have a low attention span, I'm easily distracted and never really shut up once I've initiated conversation. The first time this ever dipped was when I went I started secondary school in Northern Ireland: Instead of being chatty and social I became a bit of a freak. Apparently listening to whatever music you wanted, not doing sport and having an interest in the world was something that wasn't socially acceptable. Despite this, in my group of friends I was always considered very much social, chatty and inquisitive in conversation. I'd think with my mouth as it spat out everything going on inside my head. Even now, even on impulse, writing this out I'm quickly calculating, considering what to write next as its flowing on to the page.



Despite the resurge a few years after, I've recently felt my desire to be around people, my desire to be social, has diminished greatly. Life has always felt like one, big impulsive ride but now I'm starting to feel a lurking uneasiness when I'm around people. As a writer I've always had periods of introspection where I will spend a day or two correlating my thoughts and ignoring anything trivial with other people but recently I've felt drained and strange. For example, on a night out a week ago I wanted a moment to myself but kept encountering people, people who I had met since I'd returned to N/Ireland, who would also regurgitate these appalling lines:


  • How are you? Are you off out tonight? - I wouldn't be standing in a pub if I wasn't.
  • How is University? - You've already asked me, but thanks.
  • How is your course? - I've just said that.
  • How is life? - I'm bored. 
  • Still drinking then? - I wouldn't be holding this pint if I wasn't.
  • How is blah - Much better
  • How is bleurghhhh - Please leave.
Ignoring the last two I felt like I was being interviewed by a novice journalist who was reaching for straws. I did my best to prevent any tension; elucidating on more information and replying with questions that would enhance the conversation. I don't mind it being quiet, but it becomes awful when people start saying 'God... isn't this awkward.' Instead of making it light hearted and funny it actually ruins the entire atmosphere.

But as I looked around, I realised that it wasn't their fault at all. It was mine.

Still, even now, I'm a bit confused. My identity has generally revolved around being quite outward, chatty & honest with people, and now? I feel like I'm washed out, faded. Any kind of image that resembled the old me has diminished to a ghostly transparency. I know I've changed; believing otherwise would be completely ridiculous but I keep asking myself. Its strange feeling this after thinking you've known yourself for so long.


I thought I'd use this to ask people - would you consider yourself an extrovert or an introvert & why? Has this ever changed?

Thursday 14 June 2012

I left my heart in an empty room.

Since I've been back home its been a rather hectic, self-destructive time. It feels like whilst my body is in N/Ireland my heart and soul are back in England. Functioning properly and feeling good here are, unfortunately, not possibilities that I'm rewarded with. Around every corner in the town is another pair of eyes who are more then happy to latch their obsessive, gossiping mouth on to your business. Then the religious zealots who are happier being a part of some oppressive past. And everything, and everyone encompasses this cheery disposition that masks the years of political and religious fighting.

I've lived here for 7, nearly 8 years and my friends who are 'comfortable' with other denominations and people always prove otherwise. There is always some bitter words when a taboo topic is mentioned. Its unbelievably fucking frustrating.

I hate living here and I'm starting to hate everyone else as well.

I feel like I'm constantly catapulted between moods -- happy, sad, frustrated, calm, hyper, sensitive - and it doesn't help that I'm also getting constantly irritable by talk. You don't need to sit next to someone to know their breath stinks of shit - the smell lingers on their words. The repetitive phrases and topics are regurgiated for social acceptance, to not seem rude or ignorant and I can easily fake a smile.

So I've rambled on. I'll shush myself for now, but what am I going to do about all of this?


  • Exorcise some people out of my life
  • Get some more medication from the doctor
  • Read More / Write More
  • QUIT ALCOHOL FOR THE FORESEEABLE FUTURE
  • Get a job
  • Return to Winchester refreshed
I'm on a mission now. If I fall at the first hurdle I'll have to get up again and again until I'm breathless. And when I rest, I'll finally be satisfied.



Wednesday 6 June 2012

The 'perfect' writer

Something that has annoyed me for the past year, since I got to university in fact, is the idea of 'the perfect writer'. Its what we, as writers, strive to be; cradling our achievements at the end of our lives and realising we have written something that has had some kind of impact on the world around us.

But do we ever get to this point? Is perfection even possible? In the words of John Sublime from New X-Men: "Every diamond has its flaw."

I guess for me I'm still struggling to find my voice; how do I write? what have the books of the generations before me given to me? Has their writing heralded any advice, any wisdom? It seems when I try and think of 'the perfect writer' I answer myself with a myriad of questions that make my quest seem murky or vague. Where am I going?

I guess the question I should be asking myself is; 'what writer am I?' - and generally this means 'what do you write?' I've always written poetry and toyed with the idea of becoming a novelist but I've never written one. I aim, by the end of this year to have a draft finished for publishing in my third year. The idea is still blossoming and however much miracle-gro I sprinkle its end result seems further and further from manifesting.

I've noticed, especially in my course, what sort of writers some people are. Some absorb books on touch and use their writing to advance on their own technique, others take a relaxed approach and let their thoughts guide them. Some I never see, and I often imagine that they are locked in their rooms till they begin to starve, fuelling their emotions in to a blazing masterpiece.

I feel a bit lost whenever I think of this.

But perhaps, possibly, maybe I don't need to pigeonhole myself in to one of these categories, but I often get quite pissed off because I never have a consistent pattern of an idea. Usually its stream of consciousness (whatever comes to the fore), but with a university project, I came to find that my sub-consciousness was actually a provider of my inspiration. We were asked one day to bring in a dream journal filled up with notes and details of our dreams over a few weeks. I poured over mine and realised they were either too obscure and nondescript or complete and utter bollox. They were nonsensical and, despite the only person at the table who was interested in surreal writing, I found the task of choosing one to be more arduous then the rest of my group.

But there was one that stuck out and actually, right now, is chaining itself to my idea for my novel. I was standing alone at the edge of a driveway whilst the autumn leaves collated messily along the road in front. It was a driveway; a long path that stretched far out as if it touched the horizon. A man, a stubbly older man, was standing in front staring back at me with a sweet, sad smile, apologetic. He looked towards the open road which was now a house; a cabin. Childish noises and laughter began to grow louder and louder until two small children ran up. "Daddy, Daddy!" they shouted in excitement. He turned his head back one last time and consigned himself. He picked up the smallest child, a young girl and walked towards the house. I felt my throat grow heavy, more prominent then ever before. I didn't even realise how hard I was crying; I didn't know this man, but he was of great importance to me and, bereft of him, my heart began to grow weak, my energy deplete. As he walked slowly in to the blazing light he kept shooting glances back until the horizon consumed him.

And then I awoke.

That dream itself... Well, to say the least, struck a cord in me. I couldn't even remember writing it down. The handwriting was messy, so it must have literally been when I had been aroused from sleep. But fuck! What an idea!

And even though I'm far from discovering what writer I am and what 'the perfect writer' is, I have found a path. A hazy, often bleak path. But its my path and mine alone. I could say 'And that made all the difference' but then this would be a giant cliche. I'm just going to shut up now. Phew.

Sunday 27 May 2012

Uni

I've just finished University, ending an essential part of my life.

I didn't want it to end. This is the first time in my entire life I've enjoyed and appreciated my education, that I've felt bad for missing lectures (well, some of them) and been just down the hall from 40 friends. The weather was beautiful, the nights out relentless and I've felt some kind of metamorphosis, a raw sort of change, begin to kick in. The way I've perceived things and integrated things in to my work has shifted, some distorted and some focused like I'm looking through a new pair of spectacles. 

Now I'm back to living behind a Dementia Care Home. Don't get me wrong, I love my friends here, I love that this place made me who I am, but Winchester is the apple of my eye now. I have opportunity, I have freedom, I have help for my mood and most importantly, responsibility. We're all given responsibility by our elders at some point and when I turned 18 I was pretty much given it all. No more 'go to bed early', 'back by 11' and the like, but always within reason. I guess I still live under my parents roof so I can't expect to be getting at 6PM and lying around in my own filth, but when I got university I realised I really was looking out for myself. It was very much 'here is a budget', here is your food allowance for the week, here are your fags for the week... and oh, here's your workload. sort it all out!' and originally, I was really overwhelmed. I had real problems with keeping my mood swings under control, keeping a tight reign on my money and also the units of alcohol. I demolished money to keep myself in a good mood and completely, irresponsibly, blew £700 in a month. I had to learn quickly that my actions had major consequences and that there was no safety net, no guiding will-o-wisps if I lost my way. 

I'm sitting here typing, still in awe. I've still got many things I want to do, to see and to write before my three years and I've come to the realisation I achieved less then I wanted. So I'm starting a list, a plan if you will, comprising of all the things I didn't do, the things I want to do and things post-uni. Comprise a plan. I've always believed life is random and guided by chaos and having a plan just ends in disappointment, but perhaps I should experiment and give in less to my impulsive side. 

So yeah, I've finished my first year of uni. I've got a smile on my face, a tan on my arms and a million little thoughts that are bubbling to the surface. A million little things I want to achieve.
Greetings, Blogger.